‘He should have known better’ says company head
Adam Noble thought he was doing his job when he suggested optioning a taut thriller written by a first-time scribe from Boise, Idaho.
Instead, Noble was fired on the spot, due to the company’s unwritten rule that any new project must be a remake, adaptation, sequel, or based on an existing property.
“For some reason, Adam thinks we give a shit about whether material is original or entertaining,” said producer Bob Jenner, a principal at the company. “This is the movie business. The only things we care about are good blow and making easy money so we can buy even better blow.”
According to Jenner, that means saying yes to projects like Free Willy 5, and no to material that actually reveals something about the human condition.
Despite the setback, Noble has faith in the Hollywood system.
“Every once in a while, a quality movie gets made,” he said. “I figure if I stick around in this business long enough, I might work for a decent producer after like 40 or 50 years.”
‘Guyland Chronicles’ features Rogen, Carell, Rudd, Hill, Segal, Hader and Cera
A 19-year-old slacker inherits his father’s furniture store and turns it into a 24-hour video game hangout.
Writer: Tommy Bond
Boring accountant Matt Jones travels through a wormhole to a planet where everyone is a different version of him – and they’re all named Matt. WTF?!
Writer: Matt Bindell
The Braceface Killer
After a particularly painful trip to the orthodontist, a 7th grader goes on a killing spree.
Based on the New York Times article in November of 2008.
‘Just easier this way’ he says
As long as there have been gatekeepers in Hollywood, determined writers and actors have tried every approach imagineable to get around them – and gain direct access to the town’s decision-makers. Screenwriter Mark Lahey recently developed his own unconventional approach when he snuck behind the CAA building and placed his romantic comedy script in one of the agency’s dumpsters.
“I just wanted to be able to tell other managers and agents that one of my scripts was currently at CAA,” he said. “But every time I tried to send them one in the mail, they returned it unread. It never even made it to the trash!”
Unfortunately for Lahey, CAA is so diligent about returning unsolicited material, their legal department combs the dumpsters every night in search of discarded scripts and query letters. It was during one of these searches that Lahey’s script ‘Friends with Benefits’ was found.
“This was a unique attempt by Mr. Lahey,” said CAA legal assistant Sherry Harpe. “But we were forced to send his script back to him, unread, and coated in caviar from one of our many lavish catered lunches. In the future, we look forward to receiving and rejecting his material through the proper channels.”
A relaxed dinner among colleagues turned ugly on Wednesday when McG, director of Terminator Salvation, was asked by fellow director Darren Aronofsky what the movie “was really about.”
“He kept telling me it was about ‘these awesome robots who take over the world and explode stuff’,” said Aronofsky. “I tried to clarify that I was talking about the theme, but it didn’t seem to sink in. He just went off.”
According to witnesses at BOA Steakhouse, McG grew more and more frustrated with the conversation, eventually flying into a rage and storming out of the Santa Monica restaurant.
“I couldn’t tell exactly what was going on,” said waitress Cheri Grendell. “First McG was yelling about ‘high concept’ or something, then he was pounding the table and demanding that Aronofsky explain what the word ‘theme’ meant. Bizarre.”
McG tried to downplay the incident.
“Of course I understand that theme is a basic literary device used in all manner of stories, whether they be on the page or on the screen,” he said in a written statement released by his publicist. “The idea that a successful director and producer like myself wouldn’t understand theme is ridiculous. Terminator Salvation is obviously about the role of machines in society and cool shit like that.”